Curator-Owned
Only their own playlists. Curators sign up with the Spotify profile behind their playlists and can only offer playlists that profile owns.
Playlist Quality
Follower counts are easy to inflate and easy to misread. Before a playlist can receive submissions it has to pass a few checks, and the checks keep running after it’s approved.
Every playlist on the platform went through these steps first.
Only their own playlists. Curators sign up with the Spotify profile behind their playlists and can only offer playlists that profile owns.
Anyone can open it. A playlist has to be public before it can be selected, approved or used to confirm a placement.
A minimum audience. Smaller playlists can’t be offered yet. Followers alone prove very little, which is why the last step exists.
No automatic approvals. Our team looks at the playlist’s history, audience and genres before approving it.
After Approval
Freshstats
Followers and stream estimates are refreshed regularly, so a profile reflects the playlist as it is now.
1artist
Playlists built mostly around a single artist are flagged for our team to review.
Livechecks
We confirm a playlist is still public before every acceptance and placement check. Private or deleted playlists stop receiving tracks.
Before You Pitch Anywhere
Thousands of followers but very few streams, or followers that jump overnight, often point to bought followers.
Real playlists have a clear sound. One that accepts every genre is usually selling slots.
Anyone who guarantees a placement or a number of streams in exchange for money is a red flag.
Every curator profile shows followers, estimated streams and a year of follower history. Browse curators
Real placements through the platform confirm the curator controls the playlist.
It can’t make a curator say yes or promise streams. Curators decide; listeners do the rest.
See the Numbers for Yourself
Placement and streaming results are never guaranteed.